The Dashka Stone: Map of the Creator

In 1999, a professor at Bashkir State University in Russia named Alexander Chuvyrov made a remarkable archeological discovery. He was called to the house of Vladimir Krainov, who reported a strange slab buried in his backyard. Chuvyrov was instantly intrigued, as he had been searching for similar slabs that have been cited in various historical manuscripts. The slab was so heavy that it took over a week to unearth. The discovery was named the Dashka stone and later titled the Map of the Creator. The artifact is approximately 5 feet high, 3.5 feet wide, .5 feet thick, and weighs at least one ton. The stone was investigated and determined to be some sort of three-dimensional relief map of the Ural Region. Today the military uses similar maps to measure elevation and terrain. The Dashka stone reportedly contains representations of civil engineering work, weirs, an irrigation system, and powerful dams. To date, the ancient technology used to make the map is unknown and extremely advanced.

The map also contains numerous inscriptions. At first, the scientists thought that it was an Old Chinese language, although it was later reported that the inscriptions were done in a hieroglyphic-syllabic language of unknown origin. A group of Russian and Chinese specialists in the fields of cartography, physics, mathematics, geology, chemistry, and Old Chinese language researched the artifact and were the ones that identified it as a map of Ural region, with rivers Belya, Ufimka, and Sutolka listed.

Dating of the slab was reported to be over 100 million years old, but no reliable resources citing evidence of what type of test were used or the exact results could be found. If the Map of the Creator is genuine then it would suggest the existence of an ancient highly developed civilization. Researchers have claimed that a three-dimensional map of this order could have only been used for navigational purposes. Many websites claim that the slab is proof of ancient flight. Recent discoveries indicate that the slab is a piece of a larger artifact.

The Dashka stone continues to undergo scientific testing and is not available for public viewing. … veries.php … _0237.html

The Decipherment of Hieroglyphs and The Rosetta Stone

Hieroglyphs dominated the landscape of the Egyptian civilization.

These elaborate symbols were ideal for inscriptions on the walls of majestic temples and monuments, and indeed the Greek word hieroglyphica means ‘sacred carvings’, but they were too fussy for day-to-day scribbling, so other scripts were evolved in Egypt in parallel. These were the ‘hieratic’ and ‘demotic’ scripts, which can crudely be thought of as merely different fonts of the hieroglyphic alphabet.

Then, towards the end of the fourth century AD, within a generation, the Egyptian scripts vanished. The last datable examples of ancient Egyptian writing are found on the island of Philae, where a hieroglyphic temple inscription was carved in AD 394 and where a piece of demotic graffiti has been dated to 450 AD. The rise of Christianity was responsible for the extinction of Egyptian scripts, outlawing their use in order to eradicate any link with Egypt’s pagan past.

The ancient scripts were replaced with ‘Coptic’, a script consisting of 24 letters from the Greek alphabet supplemented by six demotic characters used for Egyptian sounds not expressed in Greek. The ancient Egyptian language continued to be spoken, and evolved into what became known as the Coptic language, but in due course both the Coptic language and script were displaced by the spread of Arabic in the 11th century. The final linguistic link to Egypt’s ancient kingdoms was then broken, and the knowledge needed to read the history of the pharaohs was lost.

In later centuries, scholars who saw the hieroglyphs tried to interpret them, but they were hindered by a false hypothesis. They assumed that hieroglyphs were nothing more than primitive picture writing, and that their decipherment relied on a literal translation of the images they saw. In fact, the hieroglyphic script and its relatives are phonetic, which is to say that the characters largely represent distinct sounds, just like the letters in the English alphabet. It would take a remarkable discovery before this would be appreciated.

The Discovery of the Rosetta Stone

In the summer of 1798, the antiquities of ancient Egypt came under particular scrutiny when Napoleon Bonaparte despatched a team of historians, scientists and draughtsmen to follow in the wake of his invading army. In 1799, these French scholars encountered the single most famous slab of stone in the history of archaeology, found by a troop of French soldiers stationed at Fort Julien in the town of Rosetta in the Nile Delta.

The soldiers were demolishing an ancient wall to clear the way for an extension to the fort, but built into the wall was a stone bearing a remarkable set of inscriptions. The same piece of text had been inscribed on the stone three times, in Greek, demotic and hieroglyphics. The Rosetta Stone, as it became known, appeared to be the equivalent of a dictionary.

However, before the French could embark on any serious research, they were forced to hand the Rosetta Stone to the British, having signed a Treaty of Capitulation. In 1802, the priceless slab of rock – 46 ½” high, 30″ wide and 12″ deep, and weighing three quarters of a ton – took up residence at the British Museum, where it has remained ever since.

The Translation of the Rosetta Stone

The translation of the Greek soon revealed that the Rosetta Stone contained a decree from the general council of Egyptian priests issued in 196 BC. Assuming that the other two scripts contained the identical text, then it might appear that the Stone could be used to crack hieroglyphs.

However, a significant hurdle remained. The Greek revealed what the hieroglyphs meant, but nobody had spoken the ancient Egyptian language for at least eight centuries, so it was impossible to establish the sound of the Egyptian words. Unless scholars knew how the Egyptian words were spoken, they could not deduce the phonetics of the hieroglyphs.

When the English polymath Thomas Young heard about the Rosetta Stone, he considered it an irresistible challenge. In 1814 he went on his annual holiday to Worthing and took with him a copy of the Rosetta Stone inscriptions. Young’s breakthrough came when he focussed on a set of hieroglyphs surrounded by a loop, called a cartouche. He suspected that these highlighted hieroglyphs represented something of significance, possibly the name of the Pharaoh Ptolemy, who was mentioned in the Greek text.

If this were the case, it would enable Young to latch on to the phonetics of the corresponding hieroglyphs, because a pharaoh’s name would be pronounced roughly the same regardless of the language.

Young matched up the letters of Ptolemy with the hieroglyphs, and he managed to correlate most of the hieroglyphs with their correct phonetic values. The decipherment of the Egyptian script was underway. He repeated his strategy on another cartouche, which he suspected contained the name of the Ptolemaic queen Berenika, and identified the sound of further hieroglyphs. Young was on the right track, but his work suddenly ground to a halt. It seems that he had been brainwashed by the established view that the script was picture writing, and he was not prepared to shatter that paradigm. He excused his own phonetic discoveries by noting that the Ptolemaic dynasty was not of Egyptian descent, and hypothesised that their foreign names would have to be spelt out phonetically because there would not be a symbol within the standard list of hieroglyphs.

Young called his achievements ‘the amusement of a few leisure hours.’ He lost interest in hieroglyphics, and brought his work to a conclusion by summarising it in an article for the 1819 supplement to the Encyclopaedia Britannica.

Jean-François Champollion’s obsession with hieroglyphs began around 1801 when, as a ten-year-old, he saw a collection of Egyptian antiquities, decorated with bizarre inscriptions. He was told that nobody could interpret this cryptic writing, whereupon the boy promised that he would one day solve the mystery.

Champollion applied Young’s technique to other cartouches, but the names, such as Alexander and Cleopatra, were still foreign, supporting the theory that phonetics was only invoked for words outside the traditional Egyptian lexicon. Then, in 1822, Champollion received some cartouches that were old enough to contain traditional Egyptian names, and yet they were still spelt out, clear evidence against the theory that spelling was only used for foreign names.

Champollion focussed on a cartouche containing just four hieroglyphs: the first two symbols were unknown, but the repeated pair at the end signified ‘s-s’. This meant that the cartouche represented (‘?-?-s-s’).

At this point, Champollion brought to bear his vast linguistic knowledge. Although Coptic, the descendant of the ancient Egyptian language, had ceased to be a living language, it still existed in a fossilised form in the liturgy of the Christian Coptic Church. Champollion had learnt Coptic as a teenager, and was so fluent that he used it to record entries in his journal. However, he had not previously considered that Coptic might also be the language of hieroglyphs.

Champollion wondered if the first hieroglyph in the cartouche, the disc, might represent the sun, and then he assumed its sound value to be that of the Coptic word for sun, ‘ra’. This gave him the sequence (‘ra-?-s-s’). Only one pharaonic name seemed to fit. Allowing for the omission of vowels and the unknown letter, surely this was Rameses. The spell was broken. Hieroglyphs were phonetic and the underlying language was Egyptian. Champollion dashed into his brother’s office where he proclaimed ‘Je tiens l’affaire!’ (‘I’ve got it!’) and promptly collapsed. He was bedridden for the next five days.

Cracking the code

Although this was just one more cartouche, it clearly demonstrated the fundamental principles of hieroglyphics. It showed that the scribes sometimes exploited the rebus principle, which involves breaking long words into phonetic components, and then using pictures to represent these components. For example, the word belief can be broken down into two syllables, ‘bee-leaf’. Hence, instead of writing the word alphabetically, it could be represented by the image of a bee and a leaf. In the Rameses example, only the first syllable (‘ra’) is represented by a rebus image, a picture of the sun, while the remainder of the word is spelt more conventionally.

The significance of the sun in the Rameses cartouche is enormous, because it indicates the language of the scribes. They could not have spoken English, because this would mean that the cartouche would be pronounced ‘Sun-meses’. Similarly, they could not have spoken French, because then the cartouche would be pronounced ‘Soleil-meses’. The cartouche only makes sense if the scribes spoke Coptic, because it would then be pronounced ‘Ra-meses’.

Champollion went on to show that for most of their writing, the scribes relied on using a relatively conventional phonetic alphabet. Indeed, Champollion called phonetics the ‘soul’ of hieroglyphics.

Using his deep knowledge of Coptic, Champollion began a prolific decipherment of hieroglyphs. He identified phonetic values for the majority of hieroglyphs, and discovered that some of them represented combinations of two or even three consonants. This sometimes gave scribes the option of spelling a word using several simple hieroglyphs or with just one multi-consonantal hieroglyph.

In July 1828, Champollion embarked on his first expedition to Egypt. Thirty years earlier, Napoleon’s expedition had made wild guesses as to the meaning of the hieroglyphs that adorned the temples, but now Champollion could reinterpret them correctly. His visit came just in time. Three years later, having written up the notes, drawings and translations from his Egyptian expedition, he suffered a severe stroke. He died on 4th March 1832, aged 41, having achieved his childhood dream.

The Mysterious Stone Spheres of Costa Rica

The stone spheres of Costa Rica, one of the strangest mysteries in archaeology, are a collection of some three hundred polished stone orbs, the first of which were discovered in the Diquis Delta of Costa Rica during the 1930s. The spheres range in size from a few centimeters to over two meters in diameter, and weigh up to 16 tons. Their precise date of construction is uncertain, but they are believed to have been carved between 200 BC and 1600 CE.

The stone spheres came to light during early cultivation of the farmland. Most were discovered by workmen as they cleared and burned the jungle in preparation for planting.

The first scientific investigation of the spheres was undertaken shortly after their discovery by Doris Stone, a daughter of a United Fruit Co. executive. These were published in 1943 in American Antiquity, attracting the attention of Dr. Samuel Lothrop from Harvard University. Lothrop’s findings were published in Archaeology of the Diquís Delta, Costa Rica 1963.

Numerous myths surround the stones, such as they came from Atlantis, or that they were made as such by nature. Some local legends state that the native inhabitants had access to a potion able to soften the rock. Another calls for the center of the spheres to contain a single coffee bean.

The stones have a surprisingly smooth surface. According to laser measurements by researchers from the University of Pennsylvania, the spheres were 96% perfect.

The stone spheres have been found in clusters of up to twenty, and often in geometric patterns such as triangles, rectangles or straight lines. Such alignments often point to the earth’s magnetic north. Archaeologists have been able to date the stones by the artifacts that have been found lying alongside them. Some of them have, thus, been dated as far back as 400 B.C.E.

Via: ACuriousHistory

The Sealand Skull and the Order of Pegasus’ Light

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An alien survivor from a prehistoric saucer crash? An unfortunate time traveler from the future? A tradesman from a parallel universe? A hitherto undiscovered species? Or a mere freak deformity of a human being? Nobody knows for sure, but no matter the explanation, the Sealand Skull has potential to change the view of the world we live in.

The July 2007 discovery of the skull in Olstykke on the Danish island Sealand did however not make headlines and remained largely ignored by science until 2010. The researchers who in 2008 examined the skull at the Veterinarian High School in Copenhagen merely concluded that “Although resembling a mammal, certain features make it impossible to fit the animal into Linnaean taxonomy”.

Dug up during the replacement of old sewer pipes, the finder at first believed that it was some horse bone, as the house formerly belonged to a horse butcher, and the garden is full of remains. It was not until refilling the trench that he noticed its humanoid shape. Later excavations at the site have not uncovered further remains with connection to the creature, only identifiable animal bones, stone axes and other Neolithic tools which are common to the area. The fact that the skull was found among Neolithic remains does however, not reveal its age. Carbon 14 dating at the Niels Bohr Institute in Copenhagen has shown that the creature lived between 1200 and 1280 AD. Furthermore, the skull was found above the old pipes, whose age suggests that it wasn’t buried until after 1900. Also the absence of other skeleton parts of the creature, together with the skull’s state of preservation, has led the scientists to suspect that it has not been buried for long, probably only a couple of decades. 

Perhaps to conceal the secret behind its existence someone stored it for ages and later deliberately buried it. It is interesting to note that residents in Olstykke and nearby villages have from former times told about a local member of l’Ordre Lux Pégasos (the Order of Pegasus’ Light), whom accordingly on behalf of the order protected various items – among them a mysterious cranium and several devices made of extraordinary light, albeit unbreakable metal or ceramics. The skull is said to have originated from the Balkans, but it has also been stored in Paris, France, and in Munich, Germany, before arriving in Denmark.

If the story holds true, it is possible that further research may lead to the whereabouts of alien artefacts. It is plausible that l’Ordre Lux Pégasos still keeps objects as well as insights into their origin and purpose. Little is known about the order however, except that it was established around 1350 and throughout its existence has counted influential poets and authors among its members. Among the prominent initiated were Giovanni Boccaccio, William Shakespeare, Réne Descartes, Thomas Jefferson, Edward Bulwer-Lytton, Ambrose Bierce, Karin Boye, H.G. Wells, Julio Cortázar, Joseph Heller, Octavia Butler, Aleksandr Solsjenitsyn and Ahmed al-Baghdadi. One can wonder why the task of preserving alien artefacts and knowledge fell upon an order solely consisting of writers, but the very name of the order does hint at one or more guests from the Pegasus constellation, who for some time lived among us and brought us vast knowledges and inspiration. The secrecy of the order however suggests that humanity is not yet ready to share the Pegasian knowledge.

The Sealand Skull is about one and a half times larger than a male Homo sapiens cranium. Especially the eye sockets contribute to its size. Its smooth surface reveals that the creature was adapted to cold climate, and its relative eye size that it was either a night creature, lived underground or on a planet orbiting a remote or dim star, probably an orange or red dwarf. It is noted that the star 51 Pegasi in the Pegasus constellation was the first Sun-like star known to have a planet. Planets orbiting the Pegasus star HR 8799 were the first to be directly imaged, and spectroscopic analysis of HD 209458 b, another planet in the constellation, has provided the first evidence of atmospheric water vapor beyond our solar system.

Via: TheOddmentEmporium

Micronesia’s Stone Money

Rai, or stone money, are large, circular stone disks carved out of limestone formed from aragonite and calcite crystals, Rai stones were mined in Palau and transported for use to the island of Yap, Micronesia. They have been used in trade by the locals and are described by some observers as a form of currency.

Rai stones are circular disks with a hole in the middle. The size of the stones varies widely: the largest are 3.6 meters (12 ft) in diameter, 0.5 meters (1.5 ft) thick and weigh 4 metric tons (8,800 lb). The largest rai stone is located in Rumung island, near Riy village. Smaller rai stones might have a diameter of 7 – 8 centimetres.

The extrinsic (perceived) value of a specific stone is based not only on its size and craftsmanship but also on the history of the stone. If many people — or no one at all — died when the specific stone was transported, or a famous sailor brought it in, the value of the rai stone increases.

Rai stones were and still are used in rare, important social transactions such as marriage, inheritance, political deals, sign of an alliance, ransom of the battle dead or, rarely, in exchange for food. Many of them are placed in front of meetinghouses or along pathways.

Via: TheOddmentEmporium

Göbekli Tepe: The World’s Oldest Temple

A wall in an ancient temple displays an incredibly high level of sophistication in a Stone Age culture. Photo credit: Berthold Steinhilber.

The re-discovery of an intricately built ancient temple called Göbekli Tepe (Potbelly Hill in the native Turkish), in southern Turkey, is regarded as an archaeological discovery of the greatest importance.

The temple, which was built 8,000 years before the Great Pyramid of Giza in Egpyt, places our roots as a modern civilization much deeper than ever guessed at by any scholar or historian who had previously believed the first modern human societies formed around 9,000 B.C. in the Fertile Crescent near an area encompassing Jordan, Israel, and Iraq. With the shocking discovery of Gobekli Tepe, created by a culture that had clearly mastered masonry and developed a sophisticated culture prior to that within the Fertile Crescent, it places human society’s beginnings nearer to 10,000 B.C. or 12,000 years ago in Turkey.

This discovery single-handedly and profoundly revolutionizes our understanding of a crucial stage in the development of human society in the Neolithic Era by predating the Fertile Crescent by a full thousand years and originating outside of it.

The prehistoric temple of Göbekli Tepe (pronounced Guh-behk-LEE TEH-peh) is large, intricately adorned – with sculpture and carved stone fashioned in a time when mankind was traditionally assumed to be nothing more than a handful of nomads with no great religious inclination with little to no education and no skilled trades abilities at all.

Yet, these ruins are amazing – the result of a highly sophisticated culture. The temple is made up of colossal T-shaped limestone pillars that are 10 to 20 feet tall each and weigh upwards of 40-60 tons. To put that into perspective, the largest standing stones at Stonehenge weigh in at 25 tons and are 24 feet tall – making the Göbekli Tepe’s monolithic pillars twice as heavy and nearly as tall. And, like Stonehenge, the creation of the temple is lost to history.

Two teams of archeological researchers remain hard at work at the site today uncovering this historical find and attempting to understand how the temple was built and what became of it’s builders.

Gobekli Tepe is located in an arid, dry region 9 miles northeast of the town of Şanlıurfa, Turkey.
Video of the actual site can be found here at YouTube.

Via: FleshyBones

Wikipedia,Göbekli Tepe
National GeographicGöbekli Tepe Excavation
Göbekli TepeArcheological Site Info
Worlds First TempleMovie/Gallery

The Mysterious Jars of Laos

Thousands of urns lie everywhere you look, scattered over the landscape of Xiangkhoang Plateau in Laos. Some are small, some large – much too large to have been cooked in, or had food stored in them! So what could have been their purpose? Archaeologists have been working on this mystery for some time now, and they think they have the answers.

Studies in the 1930s suggested that these urns had something to do with burial sites, and now research seems to confirm this. Formed in the Iron Age, they are an incredible examples of what was being done with iron tools at the time.

Ninety burial sites have been found containing anywhere between 1 and 400 urns. (Only three are open for visitors, though, as there is a serious issue with unexploded land mines.) Stone disks were found that marked a grave, and a number of other graves were discovered near one of the jars.

At the first of the sites, there is a limestone cave with a front opening but then two man-made holes on top. In the 30s, items were found that would have belonged to a crematorium style cave. Burial items were found in and around the urns – beads, teeth, ceramic weights and charcoal. Yet within the jars were signs of cremated material, while outside there seemed to have been ‘secondary burials’ which did not involve cremation.

The different evidence of both cremation and burial was also found in 1994, when further exploration was done. Scientists aren’t sure why some bodies were cremated and others buried, but a group of people, the Black Tais, have inhabited the area since the 11th century and have traditionally cremated their elite and buried their common folk. This could be an example of that thinking.

A couple of local myths have grown up around the jars as well. One is that a giant won a great victory and had them made to brew oodles of rice wine. In fact locals think the cave was a kiln and that the jars aren’t made of stone but clay fired in this giant oven.

The second legend is that the jars was used to collect monsoon rain for the travelers who might run out of water during drought conditions, even if they had to reboil it because of algae and so forth growing in it.

Whatever the truth of these magnificent jars, they are an incredible insight into the people of the Iron Age and some of their cultural practices. As landmine removal takes place, researchers will be able to gain more information from the other sites that are too dangerous to work in right now.

Via: EnvironmentalGraffiti

The Holy Lines and The Extersteine

About the same time ley lines were first introduced by Alfred Watkins (1855–1935) in the 1920s, a German evangelical parson named Wilhelm Teudt proposed a similar theory he called heilige linien (holy lines) that linked a number of standing stones, churches, crosses, and other objects of spiritual significance in Germany. Teudt’s holy line theory met the same fate as Watkins’s ley lines. There were so many possibilities for connecting a variety of objects on a landscape that the odds were better of finding alignments than not finding them.

Teudt made another observation that had more lasting significance. He noted that an ancient chamber constructed in the naturally formed megaliths called the Extersteine had a circular window that formed a point where rays of light at the midsummer solstice shone through, and where the moon was visible when it reached its northernmost position. He believed the Neolithic peoples (before 2000 B.C.E.) had used the site as an astronomical observatory and a calendar.

The Extersteine, which lies at the approximate latitude as Stonehenge in Great Britain, is a natural site of five sandstone pillars rising 120 feet above an area filled with caves and grottoes. It served as a ritual center for nomadic reindeer hunters, and later was the site of pagan rituals until the eighth century, when such rituals were forbidden by law. Christian monks took over the site and set up crosses and reliefs depicting biblical scenes. They abandoned it after about 1600. Many people continued to visit the Extersteine, claiming they were aware of its energy and that their physical ailments had been cured by walking among or rubbing against the stones.

Via: EncyclopediaOfTheUnusualAndUnexplained

A Brief History of Jinn or Genies

Genies (also called Jinn or genii) are spirits in cultures of the Middle East and Africa. The term genie comes from the Arabic word jinni, which referred to an evil spirit that could take the shape of an animal or person. It could be found in every kind of nonliving thing, even air and fire. Jinn (the plural of jinni) were said to have magical powers and are favorite figures in Islamic literature. To the Mende people of Sierra Leone in Africa, genii are spirits who occasionally try to possess living men. The Mende use magic to fight genii who enter the living.

In ancient Rome, the term genii, the plural form of the Latin word genius, referred to the spirits that watched over every man. The genius was responsible for forming a man’s character and caused all actions. Believed to be present at birth, genius came to be thought of as great inborn ability. Women had a similar spirit known as a juno. Some Romans also believed in a spirit, called an evil genius, that fought the good genius for control of a man’s fate. In later Roman mythology, genii were spirits who guarded the household or community.

For the ancient Semites the Jinn were spirits of vanished ancient peoples who acted during the night and disappeared with the first light of dawn; they could make themselves invisible or change shape into animals at will; these spirits were commonly made responsible for diseases and for the manias of some lunatics who claimed that they were tormented by the Jinn. The Arabs believed that the Jinn were spirits of fire, although sometimes they associated them with succubi, demons in the forms of beautiful women, who visited men by night to copulate with them until they were exhausted, drawing energy from their encounter.

Many Muslims would likely view the term “mythological” as a pejorative statement because traditionally they take the belief that Jinn are real beings. The Jinn are said to be creatures with free will, made of smokeless fire by God, much in the same way humans were made of earth. In the Qur’an, the Jinn are frequently mentioned and even Surat 72: Al-Jinn is entirely about them. In fact Muhammad was said to have been sent as a prophet to “men and Jinn”.

Jinn are not to be confused with the Kareen mentioned in the Qur’an in Surat An-Nas and in Islamic mythology. A Kareen is an evil spirit, while technically a Jinn is considered demonic, intent on tricking people into committing sins, similar to a personal demon. As they are unique to each individual, Kareens would be the ones a magician would summon after a person’s death, such as in a séance, for the soul goes to God and the unruly Kareen would remain on earth and would, conforming to his malevolent nature, impersonate the deceased whose character he’s familiar with. Islam strictly forbids magic. Orthodox Muslims however, recite various verses from the Qur’an such as the Throne Verse, Surat an-Nas and Suart al-Falaq as means of protection and prayer. In Islam-associated mythology, the Jinn were said to be controllable by magically binding them to objects, as Solomon most famously did; the Spirit of the Lamp in the story of Aladdin was such a Jinni, bound to an oil lamp.

In sorcery books Jinn are classified into four races after the classical elements; Earth, Air, Fire and Water. In those races they come in tribes, usually seven, each with a king, each king controls his tribe and is controlled by an Angel, whereas the Angel’s name is torture to the Jinn king as well as his specific tribe, much the same way Jesus’ name is to a demon during an exorcism. Unlike white and evil witches, Jinn have free will yet could be compelled to perform both good and evil acts, compared to a demon who would only hurt creatures or an angel with benevolent intentions. Knowing what to ask what spirit to perform is key as asking a spirit to perform a chore counter its natural tendencies would anger the spirit into retaliating against the sorcerer.

Via: TheFetteredHeart

The Los Lunas Decalogue Stone

The Los Lunas Decalogue Stone
is a large boulder on the side of Hidden Mountain, near Los Lunas, New Mexico, about 35 miles south of Albuquerque. The stone bears an inscription carved into a flat panel. The inscription is interpreted by some to be an abridged version of the Decalogue or Ten Commandments in a form of Paleo-Hebrew.

The inscription has been translated by the Epigraphic Society as follows:

I (am) Yahweh [the Eternal] Eloah [your God] who brought you out of the land of Mitsrayim [Mizraim or the two Egypts] out of the house of bondages. You shall not have other [foreign] gods in place of (me). You shall not make for yourself molded (or carved) idols [graven images]. You shall not lift up your voice to connect the name of Yahweh in hate. Remember you (the) Sabbath to make it holy. Honor your father and your mother to make long your existence upon the land which Yahweh Eloah [the Eternal your God] gave to you. You shall not murder. You shall not commit adultery (or idolatry).You shall not steal (or deceive). You shall not bear witness against your neighbor, testimony for a bribe. You shall not covet (the) wife of your neighbour and all which belongs to your neighbour.

A letter group resembling the tetragrammaton YHWH, or ‘Yahweh,’ makes four appearances on the stone. The first recorded mention of the artifact is from 1933, when Professor Frank Hibben, an archaeologist from the University of New Mexico, reportedly saw it.

Hibben was led to the stone by an unnamed guide who claimed to have found it as a boy in the 1880s. If this information is accurate, a forgery would be unlikely because the Paleo-Hebrew script was unknown to scholars in the 1880s.

One argument against the stone’s authenticity is the apparent use of Modern Hebrew punctuation, although epigrapher Barry Fell argued that the punctuation is consistent with antiquity.

Other researchers dismiss the artifact based on the numerous stylistic and grammatical errors that appear in the inscription. The stone is controversial because many feel the artifact is Pre-Columbian and proof of early Semitic contact with the Americas, providing evidence that people from Israel settled in America.

Because of the stone’s weight of over 80 tons, it was never moved to a museum or laboratory for study and safekeeping. The stone is accessible to visitors by purchasing a $25 Recreational Access Permit from the New Mexico State Land Office.

The Black Knight Satellite

“Our home is Epsilon Boötis, which is a double star. We live on the sixth planet of seven—check that, the sixth of seven—counting outwards from the sun, which is the larger of the two stars. Our sixth planet has one moon. Our fourth planet has three. Our first and third planet each have one. Our probe is in the orbit of your moon.”–signal translation originating from ‘The Black Knight’ Satellite, Time Magazine April 9, 1973

In 1953, four years before the U.S.S.R. launched Sputnik I, an object of unknown origin was sighted by Dr Lincoln La Paz of the University of New Mexico orbiting the earth. As more reports of sightings trickled in from around the world, the U.S. Department of Defense appointed distinguished astronomer Clyde W. Tombaugh(best known for his discovery of the dwarf ‘planet’ of Pluto in 1930) to run a search for the mystery object. The blip became known as “Black Knight”.The Pentagon never formally released the results of Dr Tombaugh’s study. No more was heard about the object until December, 1957, when Dr Luis Corralos of the Communications Ministry in Venezuela photographed it. The first modern satellites, Sputnik I & 2, had been launched just a few months earlier. Dr Corralos was taking pictures of the second of these modern marvels as it passed over Caracas, and his photos caught the unknown object shadowing the Russian craft.
“Black Knight” was observed once again in 1960, this time by one of the stations that formed the Northern American Air Defense System. The object was in a polar orbit, something that neither the Americans or Soviets were capable of at the time. Several times larger and heavier than anything capable of being launched with 1960, rockets, it shouldn’t have been there, but it was. The observance sent panic through the U.S. military. Not only did the intelligence agencies have no idea that the USSR had launched a new satellite, nothing in their reports on Soviet space activity suggested they had the capacity to place an object into a polar orbit, or to launch something that was estimated to be in excess of 15 tons. The military scientists were horrified, since they were at least four years away from achieving polar orbits and getting payloads that large into space.

Similar waves of shock and anxiety were spreading through the Soviet ranks. They had not launched the satellite and knew they were years away from being able to accomplish such a feat, they also knew that the Americans could not do it either. No one knew where it came from, but it was definitely there.

Three years later Mercury astronaut Gordon Cooper was launched into space on his 22 orbit mission in the Faith 7 capsule. On his final orbit, he reported seeing a glowing green shape ahead of his capsule, and heading in his direction. The Muchea tracking station, in Australia, which Cooper reported this to was also able to pick it up on radar traveling in an east-to-west orbit. This event was reported by NBC, but reporters were forbidden to ask Cooper about the event on his landing. The official explanation is that an electrical malfunction in the capsule had caused high levels of carbon dioxide, which induced hallucinations.

If this weren’t enough, Ham radio operators worldwide had been receiving messages from Black Knight. Perhaps the strangest phenomenon associated with the Black Knight was the Long Delay Echo (LDE). The effect observed was that radio or television signals sent into space bounce back seconds (or even days) later, as if recorded and retransmitted by a satellite. First indentified over 30 years earlier by Norwegian geophysicist Carl Stormer and a Dutch collaborator Balthasar van der Pol, the duo discovered that short wave radio messages were followed by mysterious echoes that were picked up at indiscriminate intervals after the original transmissions. Indeed, the delays were so long that they could not be readily attributed to atmospheric quirks, magnetic storms or other natural phenomena. To this day, scientists have been unable to solve the mystery of the echoes.

Scottish Astronomer and science writer Duncan Lunan, in a paper presented to the British Interplanetary Society in 1973, noticed a correspondence between the LDE effect and the periodic appearances of Black Knight. To go further, he claimed that these “echoes” carried messages and star map which he had decoded and the transmission corresponded to a star chart which would have been plotted from Earth 13,000 years ago, and focused on the star system of Epsilon Boötes. Lunan theorized the messages may have been relayed to earth by a robot spacecraft from a highly advanced civilization far beyond the solar system. More astonishing, Lunan added, the automatic vehicle may have been circling the moon for thousands of years, waiting patiently for earthlings to acquire the necessary know-how to contact it.

In 1960 Radio Astronomer Ronald Bracewell of Stanford University speculated on life elsewhere in the galaxy. An article published in Nature offered the theory that an advanced civilization might not necessarily use long-range radio signals to communicate with other intelligent beings. Such signals would be considerably weakened over interstellar distances. Instead, Bracewell said, those far-off beings might employ robot space probes as their message bearers. Sent to a promising nearby star, such a vehicle could swing into an orbit around it at approximately the right distance to encounter a planet with life-supporting temperatures. If it picked up telltale radio signals, the probe might then bounce them back to advertise its presence, thereby producing an effect like the echoes of the 1920s. Finally, as its first message, the robot might transmit a picture of the area of the heavens from which it came.

Black Knight made its presence known again in 1974. This time it wasn’t picked up by way of radar or radio frequency, rather it formed a direct link to one man. That man was science fiction author Philip K. Dick, best known for writing the stories on which the movies Blade Runner (1982) and Total Recall (1990) were based.

Beginning in February of 1974, and continuing for the next eight years, Dick had a series of “mystic” experiences and communications with the Black Knight Satellite that left behind was what he called the Exegesis, an 8000- page, one-million-word continuing dialogue with himself written at night. More about the accounts of Philip Dick can be found here.

Just as mysteriously as it arrives the Black Knight seems to also disappear—leaving us to wonder and speculate as to it’s existence, it’s origin and it’s true purpose.

The Acámbaro Figures

The Acámbaro Figures are a collection of small ceramic figurines allegedly found in Acámbaro, Guanajuato, Mexico. They were discovered by Waldemar Julsrud in July of 1944. According to accounts, Julsrud stumbled upon the artifacts while riding his horse in the Acámbaro area. He hired a local farmer to dig up the remaining figures, paying him for each object he found. Eventually, the farmer and his assistants discovered over 32,000 figures, which included representations of everything from dinosaurs to people from all over the world, including Egyptians, Sumerians, and bearded Caucasians.

The Acámbaro Figures have been cited as out of place artifacts, as they are clearly human made and portray a large variety of dinosaur species. According to all history books, humans did not live in the time of the dinosaurs. Upon the discovery of the figures, many creationists from all over the world proclaimed the artifacts legitimate. If these figures are genuine, it could stand as credible evidence for the coexistence of dinosaurs and humans, which would severely damage the theory of evolution and offer support for the literal interpretation of the Bible.

Attempts have been made to date these figures using Thermoluminescence, or TL dating, and the results suggested a date around 2500 BCE. A man named Don Patton claims he found radiocarbon dates for the figures ranging from 6500 years to 1500 years ago; however, the objects are in very good shape and show no characteristic evidence of having been in the ground for at least 1500 years. If they were authentic artifacts, they should be scratched and marred from the rocky soil, which is characteristic of other objects found in that area of Mexico. Other supporters of the figures claim that the incredible detail of the dinosaurs suggest a firsthand experience with the creatures. The sheer number of the figures discovered is often cited as evidence for a hoax. To date, no credible scholars of archaeology or paleontology accept the discovery as valid.

Via: MythicMysteriesMiscellany