According to ancient greek myths, the great greek King Aegeus was forced to pay tribute to King Minos of the Minoans, whose kingdom was on the island we now call Crete. Every year the tribute included seven young men and seven young maidens. Underground far below King Minos’ palace at the city of Knossos lay a huge maze built for him by the inventor and master architect Daedalus. Inside the maze Minos kept a monster called the Minotaur. The Minotaur was a hideous creature that was half man and half bull. The fourteen young people from Greece would be let loose into the maze, the labyrinth, where they would become hopelessly lost and eventually be eaten by the Minotaur.
According to the legend, King Aegeus’ son, Thesesus, decided to volunteer as one of the sacrificial victims, so that he could attempt to kill the Minotaur. Thesesus was successful. He slew the Minotaur, then used a trail of twine he’d started laying down at the entrance of the labyrinth to find his way out of the maze.
So how much of this incredible tale is based on reality? Ancient writers from Roman times argued that the Labyrinth was a set of winding caves they knew were located on the south side of Crete at Gortyna. In the early 19th century C.R. Cockerell visited these caves and wrote in his journal that he and his party entered the cavern through an inconspicuous hole in the hillside of Mount Ida and unwound a length of twine to keep from getting lost. “The windings,” wrote Cockerell, “bewildered us at once, and, my compass being broken, I was quite ignorant as to where I was. The clearly intentional intricacy and apparently endless number of galleries impressed me with a sense of horror and fascination I cannot describe. At every ten steps one was arrested, and had to turn to right or left, sometimes to choose one of three or four roads. What if one should lose the clue!”
The caves at Gortyna, as much as they might seem to fit the legend are in the wrong place as the Labyrinth was supposedly located at Knossos. Some writers have speculated that another similar set of caves, now lost, near Knossos served as the Labyrinth, but modern archaeologists have come to another conclusion.
Archaeologists have found no evidence that a horrible half-man, half-bull-like creature existed at Knossos. However, they have found what looks like a labyrinth. The labyrinth wasn’t built in a cave below the palace, though. It was the palace.
The Minoans are a mysterious people. We do not know where they came from, but they seemed to have arrived in Crete about 7000 BC. By all indications the Greeks feared the Minoans, but the Minoans did not seem like a warlike people (their cities had few fortifications). Little is known about the Minoan’s religion or their form of government. We cannot read the writing they left behind. In fact, researchers have been unable to figure out even by what name the Minoans called themselves. The term Minoan comes from the legend of King Minos and was coined by archaeologists because they needed a term to describe their discoveries at Knossos.
If the Minoans had power it must have come from trade, not war. They exchanged goods with peoples from all around the eastern Mediterranean. Ostrich plumes came from northern Africa, alabaster from Egypt, gold and silver from the Aegean Islands and ivory from Syria. All of these goods passed through Minoan hands, making Mionan profits, on their way to distant destinations.
The wealth from the trade financed a number of palaces on Crete, the largest of which was the palace at Knossos. Archaeologists are not exactly sure who lived in the Knossos palace. However, they have uncovered a quantity of ceremonial and religious imagery there. This leads some to believe that the chief occupant of the building was a ‘priest-king’ who had the dual function of leading the state and the religion. Other scholars see the palace as a only a temple. Others as a center for trade.
Whatever the palace’s function, the building itself was enormous. It contained hundreds of rooms at many levels grouped around a central courtyard. The palace had storerooms, bathrooms, private apartments, public rooms, workshops and even what appears to be a throne room. Some of the storerooms contained dozens of huge jars, called pithoi, which were used to contain olive oil. According to some estimates 60,000 gallons of olive oil could be put in these, which is a testament to the Minoan’s wealth.
While there is no archaeological evidence of a labyrinth, the palace itself to a visitor must have seemed like an intimidating maze of corridors, staircases and rooms. This is probably where the legend of the labyrinth began. An early version of the palace was started around 1900 BC, but was demolished for a grander one in 1700 BC. Unlike the Greeks, the Minoans did not consider symmetry an important attribute of architecture. Rooms and halls seem to be added almost at random, though they were undoubtedly placed with a practical purpose in mind. The lack of symmetry does not mean the palace was ugly. Each room had its own beauty and many were decorated with frescoes. The palace reflected the Minoans practicality. Much of the structure and columns were made of wood, which was more likely to survive an earthquake than stone. The palace had a sanitary drainage system to take wastewater away from the apartments. The drainage channel was even designed with zigzags and basins to slow down the water to prevent overflows. Many of the rooms are partly underground to keep them cool in the summer and warm in the winter. Colonnaded porches allow cool breezes in, but kept out the hot sun.
If the palace is the origin of the labyrinth myth, where did the legend of the Minotaur come from? We know that the Minoans had a fascination for bulls. Their most mysterious art shows human figures, some of them girls, grabbing the horns of a bull and leaping over it. Archaeologists have wondered if this strange and dangerous activity really did take place. If it did, was it merely a sport, or did it have some religious significance? Recent archaeological excavations have shown an arena-like structure outside one of the Minoan palaces that might have been the site of these mysterious activities. Whatever the significance of the bull-leaping, it was probably the genesis of the Minotaur myth.
Why bulls? Crete is subject to earthquakes. Perhaps the violent and unpredictable movements of the earth seemed to them like the temperamental acts of a creature such as a bull. The Greek god Poseidon was known as the ‘earth-shaker’ and was connected to bulls, so perhaps the Minoans were worshiping an earlier form of this god in their ceremonies.
Archaeologists think that the end of the Minoan culture came about 1450 BC. Seventy miles away, a volcano exploded on the island of Thera. This caused a huge tidal wave to hit Crete which destroyed many major buildings and probably their fleet of ships. The wave ended the Minoan’s ability to conduct trade, causing them to quickly lose power in the eastern Mediterranean.
Some scholars suggest that the end of the Minoan culture may have inspired stories about the continent of Atlantis. The story of the destruction of a powerful and sophisticated culture by water in one night seems extremely similar, though the dates and location must have been exaggerated over time.